Do drop in to Appley Green ... as you're passing by!

My three novels are all set in Appley Green – an amalgam of many lovely Surrey villages. I think it is the village green that makes them so special – so English!

Leaves beginning to turn in Frimley Green

I have been lucky enough to take holidays in beautiful, culturally varied and sunny parts of the world.

So, why would I not set my novels in a more exotic location?

A shady spot in Elstead

It is wonderful to see new and exciting places; very stimulating, as I am sure other holiday-makers will agree. For me, a visit does not dig deep enough into everyday lives, try as I may to talk to the locals and soak up their culture, history and traditions; so stretching my imagination into the realms of their reality would be risky.

Surrey is a lovely place to live. There may be prettier places – the chocolate-box honey-stone cottages in the Cotswolds, where I come from originally, for example. But perhaps ‘beauty is in the eye of the beholder’, as the saying goes.

‘Rush-grass and bog-cotton could look bleak on a rainy day though, she knew that; but Steph loved the wilderness she was used to; the golden gorse and purple heather of summer, the all-pervasive bracken that would change its hue from springtime acid green to the copper tones of autumn.’ (from Shades of Appley Green)

I feel blessed to have lived in Surrey for about 35 years – with its relatively low crime rates, desirable homes, good amenities and really rather nice people, as well as an abundance of trees and panoramic views. Traffic can be irksome, in places, but an author can do something about that! This was one of the delights in creating my own village!

Although within easy reach of London, it is  ‘ …a village not blighted by the throb and fumes of through-traffic. Locals generally stuck to an unwritten code that the able-bodied should walk or cycle to local amenities when possible.’



Taken today ...

Anyone living in, say, Chicago, Manchester, Helsinki or Delhi might read about people’s lives in Appley Green and feel  transported to another world; while British residents will recognise a place they know, in some way or another; as well as the sense of community, family relationships and the human spirit rising against the odds.

I set my first novel Gypsies Stop tHere  in Appley Green, giving the village this name for two reasons. I wanted the word Green in it, and I thought Appley would loosely resonate with Appleby in Cumbria famous for the Gypsy Horse Fairs. Later, I stood on Appley Beach on the Isle of Wight and decided then that the name of my fictitious English village would be Appley Green. It just sounded right.

My first two novels, Gypsies Stop tHere and No Gypsies Served  do venture into another world that is on our doorstep all around England, but only as far as I feel I should, as a non-Gypsy.  Shades of Appley Green  is about something else.

‘Steph is a special, but troubled young woman. Chosen by the most venerated man in Appley Green to fulfil his mission, she feels publicly admired rather than privately loved. She certainly does not trust men!

In helping a once famous, elderly architect with Parkinson’s regain a social life, she finds herself taking personal risks, fending off objections, blind to danger. We wait for the moment when it dawns on Steph what is driving her deep-seated obsession; for only then can she find the happiness she deserves.

Appley Green is a charming English village. Everyone says so. But people are still people. With the emotional turmoil that comes with love, birth and death, a close-knit community can harbour betrayal and guilt, as well as joy and laughter.’

The book cover’s summery photograph was taken in Tilford Green. Landlord of this ‘quintessential English Country pub’, The Barley Mow, built in 1705, a stone’s throw from the park benches, told me the reason one of the seat arms was missing. A Gypsy had tied up his horse and … well you can guess. He had no idea about my first two novels, so that was quite strange.

 

“Nestling quietly in a middle-England wasteland of sandy heath, Appley Green straddles the boundaries of two counties south west of London.”

What shall I call it?

The title, cover, blurb on the back, author’s name, opening sentence or first page – all these elements can seduce or repel!

Titles may intrigue or even mystify; define the essence of the book; or may seem a little tired or well worn. A title might declare its ‘genre’ and above all should help any potential reader decide if this book is for them! Whether it's on the table or shelves in Waterstones or the Amazon screen, we want those book-loving browsers to stop and look at it.

My first title Gypsies Stop tHere is odd. Yes, I know it is and it’s meant to make people do a double take. The printer thought the file had not been proofread and apparently said, ‘I don’t think we can work with this’. We did laugh about this afterwards but, until I realised what the problem was, my stomach was doing somersaults.

‘Gypsies Stop tHere’ is possibly the shortest synopsis ever! What it means, of course, is the nub of the book – Gypsies are always told to stop over there, never over here.

Its sequel/prequel No Gypsies Served was called many things before I settled for this title. I wanted them to be a pair, to show they belong together although they can standalone. You could read either one first.
I was at a meeting in London with the Irish Traveller Movement, taking notes. The speaker was harking back to hard times when signs such as ‘No Irish, No Blacks, No Dogs,’ were commonplace in B&Bs and so on. Another such shocking sign was ‘No Gypsies Served’. I wrote this down and it jumped back at me from the page. I circled round it several times with my pen – I had found my title.

Shades of Appley Green is set in the same village but nothing to do with Gypsies or Travellers. Initially I wrote this in three sections that became A Light Shade, A Darker Shade that went back 16 years into a troubled time for the main character, and finally A Bright Shade. I played with the word ‘Green’ – this being arguably the essence of the British village – and a colour, and colour can reflect mood. This is perhaps over analysing! I was advised that this kind of book should have a chronological sequence of events. Good advice to follow? Not sure. In the end I did and I didn’t! But I kept the title.

I think my mother would have been pleased with this book. We lived in the Cotswolds, she often had her head in a Miss Read village book and green was her favourite colour – I think it must be mine too, it comes in so many different shades.