I Wrote it My Way - Ali Bacon

If you've been following the plot you will know, dear reader, that a variety (eclectic mix, it has to be said) of lovely authors pop over for a quick ramble here to tell us about how they 'wrote it their way'. The potted histories of how they found their genre and style have been fascinating - and so different!

Today I am delighted to welcome Ali Bacon, who joined the wonderful Love a Happy Ending group in the summer of this year. Her author biography there begins, rather tantalisingly, with the words, 'Ali Bacon was once banned from entering Switzerland, but since then has led a relatively blameless life working in libraries and IT.'  Are you left curious to know more?

 

She says,' My Way – or still finding it! One of the (many) fascinating things about taking up writing is finding out just what kind of writer you are. The trouble is it takes a while, and even when you have developed a theme, a genre or a style, things can still change!

In my first novel (some snippets on my blog here) a middle-aged woman loses her way when a past lover re-enters her life. Joanna Trollope? Well not quite (it didn’t get published for a start!) but I called it a literary love story and felt sure this was my territory.

 

Then A Kettle of Fish (just published!) came along and in many respects took me by surprise. I found myself writing about a young person (I am now of ahem mature years!) growing up in Scotland (which I left 30 years ago!) with all kinds of secrets emerging from the woodwork. The characters bore little resemblance to any I had written before. I also made a conscious (I hope not too conscious!) effort to give the book the distinctive flavour of the area where I grew up. I’m delighted it’s getting some really good reviews, but it’s neither  love story nor particularly literary. Oh dear, what next? Another coming-of-age book? Another Scottish novel?

Then while writing Kettle I got the germ of an idea for a new book set in Edinburgh – in 1843. Aagh! What happened to contemporary fiction?

So while most of my writing friends can put themselves squarely in one particular genre, I’m still thrashing around in search of what mine might be. But it does make for an interesting journey. So do take a look at A Kettle of Fish to get a feel for my style, and if you have any advice on where to go next, I’m all ears!'

 

Thanks so much, Ali. I found this really interesting and can empathise 100%, as I appreciate the necessity for labelling books, but it is not always easy to decide where your books belong. There are a couple of bits here on genre, way back when ? In November 2009! I seriously need to do a follow up on those ...

Here are some places where you can find out more about Ali and her writing.

 

A Kettle of Fish from Thornberry Publishing (Kindle edition) http://www.thornberrypublishing.com/page12.htm

A Kettle of Fish print edition http://www.feedaread.com/books/A-Kettle-of-Fish-9781781768624.aspx

Blog/website : http://alibacon.com
Twitter: @AliBacon
Amazon UK Author Page: http://www.amazon.co.uk/Ali-Bacon/e/B009N4BK4O/ref=ntt_athr_dp_pel_pop_1

Amazon US Author Page: http://www.amazon.com/Ali-Bacon/e/B009N4BK4O/ref=ntt_athr_dp_pel_pop_1

Why I cannot leave Gypsies and Travellers alone

I could have chosen an easier subject for a novel. Friends and family advised me against it; an agent told me a publisher would not consider a title with ‘Gypsy’ in it. All of this spurred me on. This was around 2006–7.

Since I am not a Gypsy myself, many people ask me how? and why? Looking for a novel theme, for a variety of reasons I have explained before, I was intrigued by the whole idea of a community living their secret lives on the edge of society, who seem to keep themselves together – and apart. Or, was it the rest of society that was ostracising them? Why was there such a mismatch between the old romantic notion of a Gypsy in his horse-drawn wagon and the more modern image? Hundreds more questions began to build up and I wanted to understand; I needed to know more. The more answers I found the more questions arose.

As I dug down into academic textbooks and spoke to their authors; made contact with Gypsy and Traveller organisations; searched the Internet; visited sites; listened to Gypsies and Travellers; attended meetings and events, my knowledge and understanding matured. I read of injustice, persecution through history and discrimination that persists today and felt moved to reach out and convey what I had learned, but in an entertaining rather than heavy-going, pedantic way. On the other side I was bombarded with folks who claim genuine grievances and have tales to tell of behaviour that perpetuates a negative stereotype. I listened to everything.

I wrote Gypsies Stop tHere and published it in 2008. Since then, I am pleased to say many Romany Gypsies and Irish Travellers have found a voice, speaking up for themselves in the press, on blogs, chat-shows and documentaries, and writing their own best-selling memoires. When I was doing my research six years ago, they kept themselves quiet and I found few documented accounts of Gypsy lives today or within living memory. Those I did find, I read avidly – they are listed in the Bibliography.

My book happened to coincide with the start of Gypsy Roma Traveller History Month; the Travellers Times (and associated educational media) was raising its profile; more recently followed the outrageous Big Fat Gypsy Wedding series that may have done more harm than good (see previous posts on BFGW), but certainly stirred the public’s imagination. You may have spotted other, better informed documentaries offering less sensationalised representations. With the new Coalition government, legislation is sliding all over the place. Then reality kicks in with Dale Farm in Essex, a humanitarian and legal tangle that should never have happened, now on the cusp of an unsatisfactory and expensive resolution. http://ow.ly/6KJrb

The opening of Gypsies Stop tHere, spoken by a keen, young, female activist, is: “People threatened with eviction, due to no fault of their own, being unjustly hounded out. It’s mediaeval the way they’re treated, don’t you think?” The arguments for and against follow, woven into the village story. http://www.miriamwakerly.com/ I hope readers are tossed back and forth, weighing things up and really thinking about the issues from all angles.

After that book, I was sure I would move on to a new topic, but no! I knew there was more to say. I felt the present should be more clearly linked to the past; the three-way relationship between Romany Gypsies, Irish Travellers and ‘mainstream society’ put into the context of recent history, through storytelling. It is clear that some people still despise Gypsies and Travellers en bloc, symptomatic of racism; and I hoped even they might find out more for themselves about this community’s struggles, as individuals, and how things have come to be as they are today.

So the sequel No Gypsies Served was published in 2010, both a sequel and a prequel. At book signings I found people new to the books, would choose Gypsies Stop tHere because it seemed logical to read the first one first, although you could just as easily read No Gypsies Served first.

That then was surely the end of Gypsies! I had started a novel set in the same village, Appley Green – nothing to do with Gypsies or Travellers! Good friends of mine think I am frankly obsessed (I would say fascinated) with my subject; some people would be pleased to see me weaned off this controversial and addictive theme, full of moral, social and legal conundrums. (Should that be conundra?)

After I was well into my new Appley Green story, somebody suggested I write the biography of a certain Gypsy man. A factual book, pure and simple? It’s what members of the Gypsy and Traveller community themselves often desperately want. They search through my books looking for photographs, hunting for a mention of their relatives. Fiction about Gypsies written by a non-gypsy is less attractive. But I had put Gypsies behind me, hadn’t I?

Meanwhile, I was being invited to speak on radio and give talks to groups of people, reflecting the growing interest in the culture, history and highly controversial issues. Now enjoying the writing of my new novel, I was very torn, but the temptation was irresistible and my decision inevitable.

So – two very different books then, I decided. Why not? I am retired and have the time. My subject, an elderly gent, whose identity is known to just a few people at the moment, lives some distance away and does not use email; so there were gaps of time that gave me space to continue with the novel. The arrangement worked very well.

The launch was planned for this December, in Waterstone’s as usual. However, the difference between a good biography and a better one, is a few months’ more work. Writing a factual book is anything but ‘pure and simple’. So, keeping with my plan to publish the biography and the novel at the same time, to please everyone, I should have them ready to go in the spring 2012.